Additional analogue pictures
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Wakashu-Tänzer (Narihira odori), [Wakashu-Tänzer (Narihira odori)] (japanese: 若衆舞図 Wakashu mai zu) Bild 57,5 x 27,5 cm Tusche, Farben, Gold und Silber auf Papier
Siegel, unten links, Transkription: Masatoshi, Beschreibung: Künstlersiegel
Köln, Museum für Ostasiatische Kunst, , A 238
LiteratureJapanische Malerei, Köln 1956, Katalog-Nr. 28 Hide Werner Speiser, Japanische Malerei und Graphik - Gedächtnisausstellung zum 100. Geburtstag von Adolf Fischeredited by Museum für Ostasiatische Kunst der Stadt Köln Köln 1956 RBA MOK/2Kodansha, Japanese Art: The Great European Collections 8, 1992, Abb. 63 (Farbtafel) Hide edited by Kodansha Publishers Ltd. (= Hizō nihon bijutsu taikan / Japanese Art: The Great European Collections, Kerun tōyō bijutsukan, Vol. 8) Tokyo 1992 Japan Society, Catalogue of Japanese Art in Foreign Collections 8, 1999, S. 87, Kat.-Nr. 248, Abb. 248 (SW-Tafel) Hide Painting in the Museum of East Asian Art, Colognein: Catalogue of Japanese Art in Foreign Collections edited by The Japan Society for the Conservation of Cultural Property (= Catalogue of Japanese Art in Foreign Collections, Volume 8) Nara 1999 Köln MOK, Splendid Impressions, 2011, S. 241, Katalog-Nr. VI-1, Abbildung S.240 Hide Doris Croissant, Yukio Lippit, Melissa McCormick, Matthew P McKelway und Josua S. & Trede, Melanie Mostow, Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologneedited by Doris Croissant edited by Museum für Ostasiatische Kunst & Hotei Publishing Leiden 2011 RBA 529/2011Goldene Impressionen, Köln 2011, S. 20, Abbildung S.20 Hide Susanne Kuhn, Goldene Impressionen. Japanische Malerei 1400-1900edited by Museum für Ostasiatische Kunst Köln 2011 RBA 528/2011ExhibitionsGoldene Impressionen, Köln 2011 Hide Splendid Impressions. Japanese secular painting 1400-1900 & Goldene Impressionen. Japanische Malerei 1400-1900 29.10.2011-.0..0. 201 Köln, Museum für Ostasiatische Kunst Japanische Malerei, Köln 1956 Explanations for this objectPictures of beauties included not only women, but also the ideal portraits of beautiful boys (wakashu) who achieved fame as actors and dancers. The dancer with effeminate facial features is holding a fan in his right hand. A sword and a rod with white Shintô paper strips are fastened to his back. He is dancing the Narihira dance of wakashu-kabuki, which embodies the poet Ariwara no Narihira (825-880). In wakashu-kabuki the ‘men’s dance’, originally performed by dancing girls, had an ambivalent erotic aspect, because the dancing boy played a female dancer in the role of the male poet Narihira. |
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Dok-Nr.: obj 05082368
- Universitäts- und Stadtbibliothek Köln
- Ukiyo Masatoshi
- Kunst- und Museumsbibliothek
- Ukiyo Masatoshi
- Deutsche Nationalbibliothek
- Ukiyo Masatoshi
- Artlibraries.net
- Ukiyo Masatoshi